![]() ![]() However, come 1982 Weller became frustrated with how creatively constricting it was to be in The Jam and pulled the plug on the whole thing when he was a mere 24 years old. They became something of a youth movement, far and away one of the biggest bands in the country. While not quite a punk rock band, The Jam came to prominence at around the same time as bands like the Sex Pistols and The Damned, and by 1977, just before the Summer of Punk reared its head, they were signed to Polydor Records.Īs far as The Jam goes, the rest is history. The band gigged all over London and Surrey until 1976, when Brookes left as well, so Weller and Foxton swapped instruments and The Jam that would become familiar to millions over the next seven years was finally ready. The classic Jam line-up was beginning to take shape, and when Waller left the band, Bruce Foxton took his place playing guitar and the stage was finally set. #The style council album covers driverWeller’s father was a taxi driver by trade, but he became the bands manager and booked them a series of shows in working men’s clubs, which they played with Rick Buckler on the drums. By 1972 he’d formed the first incarnation of The Jam with his mates Steve Brooks and Dave Waller on lead and rhythm guitar respectively, with Weller playing bass. Growing up with a musical diet of The Beatles, The Who and The Small Faces, music was the one thing that Weller cared about from the age of eleven, the age that he took up playing the guitar. ![]() However, apart from the whole successful rock band thing, Weller’s life had been pretty par for the course up until then. Looking back on it, it seems quite strange for a man as famously contrary as Weller is to be related to as strongly as he was. That kind of love can only really come from people seeing one of their own on stage, singing songs inspired and fuelled by the same experiences the audience were going through at the time. Even at the time, few people had seen anything like the level of devotion that fans of The Jam displayed since the heyday of The Beatles. You can talk about your Lorde’s and your Rihanna’s (who both made their debut on the Billboard Hot 100 at the same age, 17), but in The Jam, Weller was touring with The Clash by the time he was 19 and was nothing short of a youth cult leader by the time he was 24. Find out more about Gered at and check out my show notes at /episode-112-gered-mankowitz If you enjoy this episode of the podcast - please share on your social media channels - and leave a review and if you want to support the podcast financially, you can buy me a virtual coffee at paulwellerfanpodcast.John William Weller (everyone called him Paul from a young age, even his parents) is proof that teenage pop stars are not entirely a modern phenomenon. In 2016 Gered was awarded the distinction of a Fellowship of The Royal Photographic Society. The photograph for the cover of The Jam's second album This Is The Modern World and a lovely shot for an advert for Vox Amps with The Style Council. Arnold, Led Zeppelin, Eurythmics, Kate Bush, Oasis and many others. His portfolio showcases striking and beautiful photographs from the 1960s to the 2000s, encompassing the Rolling Stones, Jimi Hendrix, Small Faces, Marianne Faithfull, P.P. Finding himself at the centre of Swinging London, he soon established himself as one of the most prominent music photographers on the scene. Inspired to take up photography by the comedian Peter Sellers, Gered opened his first studio in 1963. My guest on this episode is the absolute legend that is Gered Mankowitz - he is the photographer who created the enduring and defining image of the rock star as we know it today. ![]()
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